Interview with Wahb Picciotto of fugazi
One :
Nikkozz: You've recorded a lot of albums. What are you sayin' to
people now, what is the message and what has changed in time compared to your
first things?
F: We really look at the albums as kind of like chapters
in a book or like installments that document where we are at specific moments
in our trajectory. We've never really thought of what we do as the delivering
of specific messages that are divorced from the music - ultimately the songs
themselves are the messages, so at this point we have alot of messages, i
guess. Over time we have got to know each other better musically speaking, as
well as having
gotten more confident in the studio so i feel like our records get looser and
more spontaneous as we go along. We hope to start work on a new record early
next year, just adding another chapter.
Two :
Nikkozz: Can you tell us something about the Whashington D.C. scene?
What about "Dischord" and "Slowdime"? What is the
relationship between them? What are you producing now?
F: The D.C. scene
is like anywhere else in that it has gone through many changes with many
different bands forming and breaking up in almost seasonal cycles. Right now
there are alot of interesting things going on though not all of them are
necessarily linked specifically
Dischord. often
Dischord has supportive relations with some of these other
bands and labels , for example helping them distribute their records or lending
them money to manufacture. that is the kind of relationship that goes on
between
Dischord and
Slowdime - its a symbiotic, mutually respectful thing with both sides working
together to get the music out there. One of the bands i recently produced is
called Quix-o-tic and they decided to put out their own record
with
Dischord's help on
their own label Ixor Stix. Another new DC label is Tolotta Records which is run
by our bassist
Joe Lally - the label mainly puts out records by a band
called
Spirit Caravan. Actually i also have a small label called
Peterbilt which has put out a few records here and there - right now we are
doing a co-release with
Dischord
of an old band i was in called
One Last Wish from 1986 which should be
out near the end of the year.
Three :
Nikkozz: What kind of music are you listenin' to?
F: listen to
all kinds of stuff- it changes all the time. Recently i've been listening to
alot of African music that i got turned onto by a friend Andy from the band the
Ex from Amsterdam. He played us alot of amazing Ethiopian music from the 60's
and 70's that i am really enjoying right now. Some other stuff i've been
digging lately is:
Fela Kuti,
Deep Lust,
the 13th floor
elevators,
Smog,
Quix-o-tic, the
Meat Puppets,
Wire,
and the
Modern Lovers.
Four :
Nikkozz: Tell us about the movie that you've done recently.
F:
The film (which is called "Instrument" and is available on video) is
basically a collaboration between us and the filmmaker
Jem Cohen. he has
been friends with the band since it started and had worked with us on various
things before (most notably the song "glue man" which was based on a
short film he made, as well as the graphics on our last 3 records). from the
start of
Fugazi,
Jem had been filming the group live and offstage
and at a certain point it just seemed like all the material he had stockpiled
deserved to be somehow consolidated into a proper project so about 4 years ago
we got serious about doing just that. the film as it came out is kind of like a
collage of a lot of different elements like interviews, live footage, candid
"behind the scenes" stuff all kind of edited together into some kind
of portrait. it is not in any way supposed to be a summation of all that the
band is about, rather it is like a "version", a collection of angles.
Five :
Nikkozz: Do you know any Italian groups? If the answer is yes, what
do you think about them?
F: We aren't really that familiar with that
many Italian bands besides the ones that have opened up for us at shows over
there. We've played with bands like
Uzeda,
Assalti
Frontali and
Bruto Pop and we think those are all pretty incredible
groups.
Six :
Nikkozz: "
Dischord"
is an independent label. Low prices vs. entertainment industry? Are you a
"half-entertainer" or something like "engagé"?
F:
Basically all our business policies like our low prices and our commitment to
remaining autonomous from the mass media and entertainment industries, those
all exist in order to serve our music. We feel in order to be creative we have
to have complete freedom, we can't be beholden to people for whom profit is the
main underlying basis for their work. this is not necessarily to say that we
are "anti-entertainment" necessarily - i am perfectly happy if people
are entertained by what we do. but in addition i would say that entertainment
is not the sole value of music - i feel it also operates on levels of inspiration,
community building, and education.
Seven :
Nikkozz: In the USA are there places like Forte Prenestino? [
It's
a squat, - koma's note] Or is the music played just in clubs, colleges
etc.?
F: In the United States there is no real
organized squat movement like there is in Italy. the dominant value in American
law is private property so the state would not tolerate a place like the Forte
Prenestino for one second. In fact i think italy is one of the last places in
all of Europe to have such well organized spaces - on our last tour we played @
the Rivolta outside of Venice, the Leon Cavallo in Milan, the CPA in Florence,
as well as the Forte - that is a pretty inspirational circuit. In the USA it is
basically as you describe - most shows are in clubs or colleges. Occasionally,
and most often in our hometown of DC, we are able to play alternative venues,
political demonstrations or unused spaces but there is nothing as developed or
as long standing as the squat scene in italy which has been enormously
supportive of us over the years and to which we feel a lot of gratitude.
...taken from komakino'zine #2, Dicember 1999 by:
Lovegrass zine 2010
