6. Anarchism in Temerloh - Hardkoi zine #1

In "Hardkoi zine" a road trip maps anarchism as a distinctly punk tradition, interviewing a diverse cast of ordinary people like truckers and factory workers as well as famous anarchists. we trace the history of the hardkoi Anarchists - publishing a final issue after a decade years ago.

Antara zine yang direview :
1.Kaum Muda Zine #1 :
Mohd Syukri Suhaimi
Lot 2118, Kampung Batu 4 Jalan Maran Temerloh

2. Militia Zine #2 :
Farid Militia
No.3, Belakang Sek.Ren.Keb. Tanjung Lalang ,Temerloh

Tahun :1997


Hardkoi Zine
No.32, Tanan Sri Kerinau
28000 Temerloh Pahang


                                     


5. Biodegradable Material #1 & #2

#no.1
 Editor :

Hello there .. punks, hardcore people , skinheads oi, mohawks, metalheads, surfers, skateborders, posers, wankers and whoever you are. Sebenarnya aku bukanlah berani sangat nak buat isu nie sebab nak menghasilkan satu fanzine yang "infomative" dan mudah difahami bukanlah satu tugas yang mudah dan once satu-satu fanzine itu dihasilkan, penulisnya menanggungsatu tanggungjawab yang besar dan berat kerana hasil penulisannya itu boleh mempengaruhi cara pemikiran pembaca. Kalau penerimaan pembaca positif, baguslah tapi kalau macamana berlaku salah faham dan boleh membawa kesan-kesan negatif? Tu yang aku takut tu ....
#no.2

 Untuk dapatkan info lebih lanjut sila :

BIODEGRADABLE MATERIAL
No.24-A, Jalan Ang Seng 4,
50470 Brickfields
Kuala Lumpur

 ..... aku tak pasti alamat ni hidup ke belum
 ..... don't hesitete to knock on our door ..
tahun : 1997 / 98

4. Need food to survive and Need life to live

Shutdown zine :
#0 - With an open mind + a book
#0.5 - Is it all about yourself , no it's about our life
#1.5 - by kind donation (1st of May 2012)
Editor name is Minkun from Sarawak scene




3.Most artist zine in Malaysia

3. MOSH zine : #10, #12, #13, #14

I hate this part of KL ; Editor name is Nizang from Kuala Terengganu and he now based in KL do recording deal with Nervhous Records. He still feder his MOSH zine for #16 and i heard that he will continued it up coming issue. I call him Grasshopper Man


             




MOSH #15 : by Nizang
Nine to Five NIGHTMARE 

There are a lot of zines and books that write about day job for example Moe Bowstern writes a zine about working in the commercial fishing industry. Dave Roche writes a zine about being a subtitute teacher and sarah Royal wrote a book about working at a book bindery. I've also being thinking to write about my day job in the zine before but I thought there's not many interesting stories to share. But this is a piece about my 9 - 5 life.

The first ever job I did was as a waiter at Yee Stall, a food stall near Batu Burok beach in Kuala Terengganu. The stall belongs to Ujay's grandparents. Ujay and I played in a pop punk band together at that time, Jellybelly. So, one semester break during my college days I decided to make some money and asked him whether there was a vacancy. Another band mate, Shah also joined working with me at the stall. We tooks order from the customer and Ujay's mother taught me how to do Teh Tarik. Before we work there we always ate there and I still go there if I'm back in Terengganu. My favorite dish from Yee's stall in Claypot Yee Mee. 

...... bla .. bla.... bla.......

"Talk more... we want to hear Mr. Nizam talk tu us more!! Your class is my second favourite!!"
                   
2. This is born collector :
Small man zine #1 , Volume #3

No.1
No.3


Hey yeah! the new issue of Small man pages of truth, trouble and everyman blues whether battling the cops in Penang. Released of Small man from Paloh "Busted Rapture" for giving me (Azizi-editor) this name. He said "It's my new zine since my own Malay version Bebal zine. I decided to quit making Bebal zine. Don't ask me why because what u hold now is the answer!

2013 Zine Catalog (Lovegrass Publishing)

I have a store in Temerloh with all of this stuff and more... we have tons of discounted and damaged stuff and lots of lots gems! We deal direct!

Our published title :

1. 10 years of good luck
Aedes zine - No.1, No.3, No.6, No.7(finally)
No.1

 
No.3
No.6
 With pieces from virtually everyone we've published before and old work from center of Terengganu. Work from our authors/ editor Joe Kidd and out things of artists.  Joe saids : If you want to do it zine better you learned 1 zine only. If you have more stuff or whatever, nice you make not more than 7 issue. I think 4 issue is better of dead.
No.7
                                

Plague Of Happiness | Interview (Exclusive on The Wknd Sessions, #62)




Plague of Happiness is a third wave ska band formed in early 1999 in pasir gudang/johor bahru, Malaysia. My band, Incarnation played KL Big Party 2 in 2013 and we get to share the same stage with my most favourite ska-punk band, Plague of Happiness, playing Blitzkrieg Society.

TQ all members , see you next event.

“ TIME TO STAND UP “ (TTSU)



“ TIME TO STAND UP “ (TTSU)

Now, the invention of the scientific method is, I'm sure we'll all agree, the most powerful intellectual idea, the most powerful framework for thinking and investigating and understanding and challenging the world around us that there is, and it rests on the premise that any idea is there to be attacked. If it withstands the attack then it lives to fight another day and if
it doesn't withstand the attack then down it goes. Religion doesn't seem to
work like that. It has certain ideas at the heart of it which we call sacred or holy or whatever. What it means is, "Here is an idea or a notion that
you're not allowed to say anything bad about; you're just not. Why not?--because you're not!" If somebody votes for a party that you don't agree with, you're free to argue about it as much as you like; everybody will have an argument but nobody feels aggrieved by it. If somebody thinks taxes should go up or down you are free to have an argument about it. But on the other hand if somebody says 'I mustn't move a light switch on a Saturday,' you say, "I respect that."

The odd thing is, even as I am saying that, I am thinking "Is there an Orthodox Jew here who is going to be offended by the fact that I just said that?" But I wouldn't have thought "Maybe there's somebody from the left wing or somebody from the right wing or somebody who subscribes to this view or the other in economics" when I was making the other points. I just think "Fine, we have different opinions." But, the moment I say something that has something to do with somebody's (I'm going to stick my neck out here and say irrational) beliefs, then we all become terribly protective and terribly defensive and say "No, we don't attack that; that's an irrational belief but no, we respect it."

Why should it be that it's perfectly legitimate to support the Labor party or the Conservative party, Republicans or Democrats, this model of economics versus that, Macintosh instead of Windows--but to have an opinion about how the Universe began, about who created the Universe . . . no, that's holy? What does that mean? Why do we ring-fence that for any other reason other than that we've just got used to doing so? There's no other reason at all, it's just one of those things that crept into being and once that loop gets going it's very, very powerful. So, we are used to not challenging religious ideas but it's very interesting how much of a furor Richard creates when he does it! Everybody gets absolutely frantic about it because you're not allowed to say these things. Yet when you look at it rationally there is no reason why those ideas shouldn't be as open to debate as any other, except that we have agreed somehow between us that they shouldn't be.


The great unmentionable evil at the center of our culture is monotheism. From a barbaric Bronze Age text known as the Old Testament, three anti-human religions have evolved--Judaism, Christianity, and Islam. These are sky-god religions. They are, literally, patriarchal--God is the Omnipotent Father--hence the loathing of women for 2,000 years in those countries afflicted by the sky-god and his earthly male delegates. The sky-god is a jealous god, of course. He requires total obedience from everyone on earth, as he is not just in place for one tribe, but for all creation. Those who would reject him must be converted or killed for their own good.


"Couldn't God have just given the hijackers a heart attack or something instead of killing all those nice people on the plane? I guess he didn't give a flying fuck about the Trade Center, didn't bother to come up with a plan for them." (I apologize for my friend's intemperate language but, in the circumstances, who can blame her?)


But how do we understand something like this? Why does God allow evil like this to take place? Perhaps that is what you are asking now. You may even be angry at God. I want to assure you that God understands those feelings that you may have.

Well, that's big of God, I must say. I'm sure that makes the bereaved feel a whole lot better (the pathetic thing is, it probably does!). Mr. Graham went on:

I have been asked hundreds of times in my life why God allows tragedy and suffering. I have to confess that I really do not know the answer totally, even to my own satisfaction. I have to accept, by faith, that God is sovereign, and He is a God of love and mercy and compassion in the midst of suffering. The Bible says God is not the author of evil. It speaks of evil as a "mystery."


Richard Dawkins is professor of the Public Understanding of Science, University of Oxford, and author of The Selfish Gene, The Blind Watchmaker and Unweaving the Rainbow.

Bullet In Your Head

You bitch!

Bullet in your head, I'm sending you, 

Bullet in your head
I'm pulling my gun's trigger 

and all you can hear is shoot
Bullet in your head, you motherfucker, 

Bullet in your head
Barrel's hole, flash, you are dead!




Dirty Rotten Imbeciles (DRI) interview from Thrasher, December 1987

Explosive, unrelenting, bombastic high speed torrents of adrenaline-ravaged insanity. Grinding heaviness plunges head-on in a tumult self-described as "crossover." When it comes to ultra-fast delivery, DRI (Dirty Rotten Imbeciles) reigns supreme as kings of speed. Since they formed in Houston in early 1982, the Imbeciles have gained a steadily growing following among both hardcores and metal-heads. From their 1982 7" debut, simply titled "22 song EP" to the recently released "Crossover" (Metal Blade/Death), DRI has honed their assault from a speedy riot to a virtual brick wall of force and power. Vocalist Kurt Brecht howls away as axeman Spike Cassidy grinds with unbridled force. The wrecking ball rhythm section of drummer Felix Griffin and bassist Josh Pappe thunders in a fast ferver. Hard and fast rules, dude.

What was the feeling when you guys formed?

Kurt-It was a blast for me. It was the first time that we had all been in a band.

Spike-It had something to do with boredom, there being nothing to do in Houston, Texas, at the time. I was into playing guitar and listening to a lot of heavy, guitar music, so I was dying to get into a band. It was when hardcore first started, with Black Flag, the Circle Jerks, TSOL and a lot of the real fresh bands from '81 and '82.

What was the initial Houston scene like?

K-There were two good clubs, the Omni and the Island, and they'd have touring bands every couple of weeks and a local show every week.

S-We all knew each other.

K-...and not too many suburban kids, mainly the downtown punks.

S-We played almost every weekend. Every time there was a show we wound up playing. There weren't a lot of local bands--just us and Doomsday Massacre--we would switch off opening for whoever came through and eventually they started letting us headline.

Why did you move to San Francisco?

K-Verbal Abuse was also a Houston band and they had moved there. Nicki, their singer, came back and we gave him a tape, which he gave to Tim Yohannan at Maximum Rock 'n' Roll. Tim called us up and told us that we were right for San Francisco and he invited us to play a Texas show that Verbal Abuse, MDC and the Dicks were going to play... We did the show and ended up staying around for awhile.

S-We wanted to get out of town. We were working hard in Houston but going nowhere, so we jumped at the chance to move to San Francisco, which was one of the punk capitals at the time.

Wasn't DRI part of the SF "Vat Scene?"

S-Toward the very end. After we moved to SF, we were there for about six months to a year. We really weren't there when everyone was squatting heavily. It was gloomy.

Josh-I kind of liked it!

K-You could hear all the other bands, Condemned to Death, MDC and the Dicks practicing. We all influenced each other insofar as coming up with songs that sounded like something you might have heard the night before and not realized it. The vat was an abandoned Hamms beer brewery, that's now been leveled and is currently a parking lot.

Tell me about the Rock Against Reagan tour.

S-It was okay since it was our first tour. We played a string of free shows and got food plus money for gas.

K-The first couple of shows we did on the way to the East Coast, where MDC was already on tour, were pretty terrible since the gigs were set up only a few days before we played them, but it went alright after that. That tour, in the Summer of 1983, got us out there in front of people, and after we did that we were able to book our own tour back to SF.

What involved you guys with Rock Against Reagan?

K-MDC invited us and it seemed like a good way to get on the road.

S-Exposure. Also, at the time, we were a lot more politically concerned. I don't think that we preached enough between songs, which is what they wanted us to do.

K-They wanted us to talk more between songs about what was going on. Most people didn't like the preaching and would rather read a book on it anyway.

S-Now we don't get along with them too well.

Do you question the sincerity of that whole school of politico-hardcore?

J-Everybody's a hypocrite, but when the hypocritical aspect of something affects us, we kind of get bummed out, especially since our first record was on their label. It just didn't work out in the end. MDC made a lot of promises, didn't come through with them and never really bothered to tell us what was going on.

K-And the same thing happened to a lot of other bands on their label, which didn't seem to bother them too much.

Do you guys realize that you have a reputation as a communist band?

S-I don't know where that came from.

K-Well, if you say, "capitalists suck," a lot of people are going to call you a communist.

J-We're not anti-American, but we are against certain things.

K-It depends on what you think is capitalist. If you think capitalsim is making a profit, then I'm not against it. But, if it involves exploiting other people and fucking them over bad, I have feelings about that.

S-Big-time capitalism.

K-Well, look at what's going on in Central America with big-time companies totally exploiting people. I think that's fucked up, but how can you really know exactly what's happening? I'd rather be living up here than down there. At least you're protected here.

J-Everybody's got their own definition anyway.

S-Some people will have things to say about us because we do things like make a profit off of shows, but simply, you have to in order to make a band work.

K-People will say that you should just get enough for gas and a little bit for food if you can't eat at someone's house...

J-And these are people that never lived in the vats or in a soup kitchen or anything like that. We all lived in a van for a year.

K-And what happens when you get a flat tire? I asked a guy that question once and he simply said that you go home. Well, how do you get there?

J-Touring is home, especially when you don't have a place to live.

K-Anyone who thinks like that just isn't living within reality.

G-The scene will support, yuck, yuck, yuck...

S-The first year we were together we ended up paying a lot more money than we were taking in. We're still in debt and we're certainly not living the good life that everyone must think we are.

How would you describe the progression from "22 Songs" to "Dealing With It" and then to "Crossover?"

K-It's a gradual, natural evolution. It sounds heavier now due to better sound quality. We always had slow, heavy intros... They just didn't sound all that heavy. S-AM radio in your bathtub!

How did the "Crossover" cover come about?

S-We were actually working on something else, but when we found out that virtually the same concept was being used by somebody else, that got dropped and we needed something quick.

J-So the only thing that we could agree on was having the logo on the front since it's always been on the back, and we also wanted it to look a little different than our usual logo.

S-We gave it a spit shine.

DRI in space!

K-Expect further variations.

Jungle motifs... How did you guys actually come up with the logo?

K-My little brother Eric and I were in art school about the same time that we started the band, and we had to create a company logo, so he asked if he could do a record company and they said yes, so he designed it, got a good grade and we decided to use it for the band.

What is the statement of "Crossover?"

J-That's just what we were labelled, so it kind of stuck.

S-We took it from everyone else in write-ups and all that kind of stuff.

K-It's music that's accessible to both hardcore and metal crowds. Now, there are larger crowds and things are a lot more interesting.

It's funny, DRI was one of the bands that was around during a seminal time for crossover, when bands like Negative Approach first started playing that style of music.

S-Bands that would be considered to have crossed-over now.

K-The only people that seemed to be against it were the punks. I guess they thought that the metal-heads coming to the shows were ignorant of political issues going on around them. At least they're getting educated.

What's the next step for DRI?

S-We're trying to get better distribution for our records to reach people who couldn't deal with the underground scene.

K-People will now go into a regular old record store and see our records. They may not buy it, but it will be there.

Why do you think a large independent or a major label would be interested in an atonal thrash band like DRI?

J-They can make money off it; the market's right for us now.

K-They look at our past history, see how many records we've sold and realize that we could sell even more records given better distribution. We've sold about one-hundred-thousand, which is the point where majors start to get interested.

S-Given the push of a major, we want to keep the band moving along as strongly as possible. The band is pretty much all we have. None of us has any money, jobs or anything like that.

K-I have a job making jewelry, but there's no way I could move up in what I'm doing. I'll never be the boss or the manager or anything like that. I'm stuck where the boss wants to keep me.

What's next for DRI?

S-We seem to be getting back to our original influences, which is a lot of old rock. Who knows what will creep into our newer material? Only time will tell.

KLZF (DIY stuff) Platmad Party


REAPER D.I.Y STORE


ZINE FOR SALES

KLZF List 2013 :

STITCHES IN MY HEAD #4 - RM 10.00
STITCHES IN MY HEAD #5 - RM 10.00
DEGENERATE #10 - RM 10.00
DEGENERATE #11 - RM 20.00 (come with Flexi Disc)
FURY #15 - RM 5.00
FURY #16 - RM 6.00
FURY #18 - RM 6.00
FURY #19 - RM 6.00
FURY #20 - RM 6.00
FURY #21 - RM 6.00

LIMITED READERSHIP #3 - RM 10.00
STABBING BRAIN #1 - RM 6.00
ACCEPT THE DARKNESS - RM 6.00
NO THANKS FUCK EVERYTHING #4 - RM 6.00
LIMITED CONTRITION #1 - RM 6.00
CABIN FEVER #3 - RM 6.00
MORE NOIZE #9 - RM 6.00
DEFIANT POSE #7 - RM 10.00
EVIL MINDED #8.1 - RM 6.00 (with #8.2)
EVIL MINDED #8.2 - RM 6.00 (with #8.1)
DOWN & OUT #27 - RM 12.00
DOWN & OUT #26 - RM 10.00
DOWN & OUT #25 - RM 10.00
DOWN & OUT #24 - RM 10.00
DOWN & OUT #23 - RM 10.00
DOWN & OUT #22 - RM 10.00
COUNTERFEIT GARBAGE #5 - RM 6.00
COUNTERFEIT GARBAGE #7 - RM 6.00
COUNTERFEIT GARBAGE #8 - RM 6.00
INVERTED FOREST #3 - RM 5.00
STITCHES IN MY HEAD #2 - RM 6.00
STITCHES IN MY HEAD #3 - RM 6.00
SEX BEFORE SUICIDE #2 - RM 10.00
SEX BEFORE SUICIDE #3 - RM 10.00

DISTORT #36 - RM 4.00
DISTORT #34 - RM 3.00
DISTORT #33 - RM 3.00
DISTORT #31 - RM 4.00
DISTORT #29 - RM 6.00 (Split with COUNTERFEIT GARBAGE)
DISTORT #28 - RM 4.00
DISTORT #27 - RM 3.00
DISTORT #26 - RM 3.00
DISTORT #23 - RM 3.00
DISTORT #22 - RM 3.00
DISTORT #18 - RM 3.00
DISTORT #16 - RM 3.00
DISTORT #13 - RM 2.00
DISTORT #10 - RM 2.00
DISTORT #09 - RM 2.00
DISTORT #08 - RM 2.00

NOT GUILTY #3 - RM 6.00

PERRO MALDITO - RM 4.00
LIFE IS STINKS, I LIKE THE KINKS - RM 3.00
PLOPPY PANTS #12 - RM 4.00



+60173659598

Don't Disturb My Time

Don't Disturb My Time

By: Abg. PM

When you've been cursed and turned into an animal, what do you do? You depend on your friends and help each other try to break said curs-Wait! Who stole my tomato while I wasn't looking? I bet it was that stupid Nadia. And what kind a nickname is that you stupid tomato lover? Why did you name your pet after a spice! Ugh, you better be worth this or I'm being on your couch.

Tolong Jangan Kacau Saya..

Boleh tak jangan kacau saya..jangan ganggu hidup saya lagi...saya dah penat tau tak..dari semalam lagi saya pening memikirkan hal ini..biarlah saya bawak diri ke suatu tempat..sapa pun tak boleh kacau saya lagi...

Hahah..macam bersandiwara pulak aku ni...sebenarnya ada cerita di sebalik ayat di atas ini..
Macam ni ceritanya...aku memang tengah sibuk ni..sibuk mengemas barang..sebab esok aku akan berangkat ke suatu tempat..dan lusa pun berangkat lagi ke suatu tempat yang aku telah plan sekian lama..nak tau perkembangan aku? nanti aku akan update..heheh..mungkin jugak ada yang dah tahu..

Dari semalam lagi aku pening dok menguruskan hal-hal ini..Alhamdulillah dah settle..dan hari ini aku pening nak bawak baju mana lagi untuk berangkat esok...dok sambil-sambil mengemas leh lagi menulis blog..

baju mane lagi ni nak bawak ni? susah betul nak buat keputusan..heheh
Dengan kat luar bilik aku ni anak-anak sedara aku buat hal..dok bising-bising, pastu yang kakak nya mengadu lah kat mak-ndak nya ni..

Kakak: Mak ndak mai tengok Ikhmal ni..dia tak mandi lagi...pastu dok kacau-kacau orang...
Aku: Ikmal ni nak kena ni...

Macam tu la lebih kurang ayat nya..Tapi aku masih tak keluar bilik pon.. so memang ada kena mengena la dengan ayat aku di atas kan...tolong jangan kacau aku..lagi .sabar je lah dengan kerenah mereka...


Ok lah, nak sambung kemas-kemas lagi ni..bilik aku pun dah bersepah giler..



Lost Your Time



And when the soul was lost
Fell as the forest closed
There is no end in sight...